Depth of Field: It’s More Than Just Aperture | Fstoppers
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Manipulating the factors of aperture, distance to subject, and focal length and how they affect depth of field will allow you to master this critical skill of creating stunning images, whether portraits or landscapes.
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What is Depth of Field? ⤴️
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depth of field is the distance between the nearest and furthest objects that appear acceptably sharp in the image. ⤴️
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Aperture Versus F-Stop ⤴️
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you will hear them talk about aperture and f-stop and, more than likely, interchange the two during a conversation. ⤴️
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this trap when explaining depth of field and that there is a difference. ⤴️
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The aperture is the adjustable opening in a lens, and its size is measured by the f-stop number. ⤴️
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Knowing that the f-stop is the size of our lens’s aperture will help us better understand the difference between a shallow depth of field and a deep depth of field.
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Shallow Depth of Field Versus Deep Depth of Field. ⤴️
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shallow depth of field and deep depth of field. ⤴️
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shallow depth of field has a blurry background, and a deep depth of field has everything in focus, from the foreground to the background of your image. ⤴️
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Achieving a Shallow Depth of Field and Deep Depth of Field ⤴️
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To achieve these results, you will need a lens with a small f-stop (large opening) between f/1.4 and f/5.6. Using a small f-stop number will do two things. ⤴️
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First, you will achieve that blurry background or bokeh in your image, separating your subject from the background. ⤴️
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Second, it will allow more light to pass through your lens onto your camera’s sensor. ⤴️
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You will choose an F-stop of f/5.6 or greater, allowing for a greater depth of field(small opening) and achieving more of your image in focus. ⤴️
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Usually, you would choose a deep depth of field for a landscape image or where you want more of the background in focus. ⤴️
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Accurate Focusing ⤴️
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When focusing, you will want to focus on your subject. ⤴️
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your choice of f-stop will determine how much of your subject is in focus. ⤴️
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Subject Distance to Camera ⤴️
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The closer your subject is to your camera, the shallower the depth of field will be. ⤴️
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If you back off your camera from your subject, you will get a deeper depth of depth in the field. When leaving your aperture the same, this will still occur. ⤴️
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Another thing to remember is that the closer your subject is to the background, the less your background will be blurred. ⤴️
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if possible.
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Lens Focal Length ⤴️
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If you choose a 200mm lens, you can get some serious bokeh (blur) action. ⤴️
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When photographing portraits, I love to use my 70-200 f/2.8 to produce a shallow depth of field. ⤴️
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If we jump to the other end and choose a focal length of 14mm on a wide-angle lens, this will make an image that is sharp from foreground to background, even with an aperture of f/3.5. ⤴️
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You would likely need an aperture of f/16 to achieve the same depth of field. ⤴️
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Sometimes, I am in the field, and I would prefer an extremely shallow depth of field for a flower. I will use my Nikkor Z 70-200mm f/2.8, use a focal length of the lens at 200mm, and then get as close as my lens will focus, or its minimum focusing distance (3.28 ft). ⤴️
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This will allow me to achieve an extremely shallow depth of field because I moved close to my subject and used a focal length of 200mm. ⤴️
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Choosing the Right F-Stop ⤴️
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“What aperture do I need?” I always respond with, It depends. ⤴️
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The first thing I think of is what I want to achieve in the photograph I am creating. ⤴️
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Subject ⤴️
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Consider your subject. ⤴️
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If you create a portrait, you can use a lower f-stop (e.g., f/1.8) to give a nice bokeh in the background. This will separate your subject from the background. ⤴️
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If you’re a natural light photographer, you may have your subject in a preferred lighting scenario. The background in that location might not be great, so you can blur the background to make a distracting background more aesthetic. ⤴️
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If you are shooting a landscape, you may want to use a larger f-stop (e.g., f/16) to increase your depth of field. This will give more focus from the foreground to the background. ⤴️
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Light ⤴️
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where the light is low, and need more light to enter your lens. ⤴️
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This will allow you to gain a faster shutter speed when combined with ISO. On the other hand, the image may be too bright (overexposed), and using an f-stop like f/16 reduces the amount of light entering the camera. ⤴️
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Creative Effect ⤴️
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There is no right or wrong answer when choosing an aperture. ⤴️
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Are there best choices? Yes! ⤴️
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think outside of the box. ⤴️
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Experiment and see what combinations of different f-stops can do for your photograph! ⤴️
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Conclusion ⤴️
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knowing the depth of field is affected by more than just the aperture in your lens. ⤴️
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When you know the focal length, the distance to the subject also plays a big role in the result of your image. You can start making educated decisions in image-making, resulting in less frustration. ⤴️
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Depth of field doesn’t have to be a challenging issue, and in the end, if you keep a few things in mind, depth of field will be another thing you can quickly ⤴️
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